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    • Home
    • The Rites of passage
    • Dance with Depth
    • The Serpentine Path
    • Herstory
  • Home
  • The Rites of passage
  • Dance with Depth
  • The Serpentine Path
  • Herstory

Herstory

hello and welcome

I'm Radhika, Founder and Creator of SnakeShed. 


Herstory is my personal mythology and life's journey thus far, which I have written freely and openly; sharing my thoughts, feelings and experiences that inspired me to create SnakeShed. I would like those considering working with me to know who I am, what I stand for, and why I am offering this work. 


Creative elements, including music paired with themes in each chapter of my story, offer a glimpse of the alchemy and depth of SnakeShed experiences; facilitating the process of growth, shedding and transformation by expressing and transmuting emotions through creative, embodied, sensory and reflective practices. 


The music of each chapter conveys the feelings, intentions, gifts and lessons I lived through and grew from. 


The extended Herstory playlist is an example of the eclectic mix of music offered at SnakeShed experiences. The songs I have chosen follow my developmental arc of growth, shedding and transformation; culminating in the rise of Shakti; the dynamic, sensual, dark and light feminine power and creative energy behind SnakeShed. 


Herstory tells the story of the rise of my Shakti. 

Namesake

My story begins with the Goddess I was named after; Radhika, or Radha, the Goddess of unconditional love, compassion and devotion; the ultimate, supreme lover; she who gives love freely and is left pining when it is gone.


At 20, I was the archetypal lover girl who fell in love with the tall, dark, handsome older man. We married, and I had three children before turning 30. The perfect fairytale ending for the lover. In reality, it was not. 


I am neurodivergent; becoming a wife and a mother at such a young age was far from easy. I tried my best, but felt overwhelmed and cursed the lover girl naiveté and sociocultural conditioning that led me to abandon my youthful independence for this lifelong fate of responsibility I was unprepared and ill-equipped for. 


But in many ways, I had to admit I was indeed blessed - we had three healthy children, and despite our shared emotional immaturity, there was an undeniably strong bond and deep love between my husband and I. Our marriage was always going last until death did us part, which it did after 22 years together when my husband died suddenly and I became a widow and single parent of three children overnight. 


With no family in the UK, I felt alone and terrified. An indescribable, cold and silent void now existed in place of the space, time, warmth and energy of this giant 6'3" strong, fit, healthy, hyperactive, talkative, inquisitive, funny man with a loud voice. He took up so much space! This protector, provider and partner of mine who had been a defining factor in my life for over two decades. 


When we first met, I was small, vulnerable and quiet and he was huge, vulnerable and loud. In grief, I reverted to my past state; feeling completely destabilised. The security, support and co-regulating, grounding nature of our longterm partnership that I took for granted, and had even resented many times, had vanished permanently, without any warning. I felt permanently cold, frozen and still without the warmth and familiarity of his huge presence; the sound of his nonstop chatter next to me; texts and phonecalls when we were apart.


I suffered bitterly in pain, anger and silence while trying to complete the never-ending stream of urgent, upsetting and exhausting tasks that came with the sudden death of the man who had handled all responsibilities; I was younger than him when we met; a child who knew nothing at 20, a wife at 21 and a mother at 22. 


Now, at the snap of sudden death's cruel fingers, I had to somehow become a responsible adult and single parent of three without the support of the one person who would have tried his best to take away my pain. 


Outwardly, I always held things together. I am used to masking very well and never looked like I was struggling. For a while, I thought I could fool myself. I was fine because everything was fine; I had learned quickly. I had become the responsible adult I should have grown into long ago; all the boxes were ticked, the bills were paid and I had done everything to ensure that our children's lives remained as stable as possible. I had also somehow managed to survive in the aftermath of the sudden death of the man who was so full of life. 


Underneath a high functioning mask, I was in a very dark place; breaking and falling without the person who would have seen me, caught me and saved me; which he had done when he found me at 20. 


A year after his death, I had to admit to myself that I was relying on my mask far too heavily and was still faking survival. I knew I had to process my grief, and sought therapy, which finally provided the support I needed to begin to come to terms with my trauma. This was not the first sudden death of a loved one for me, nor was it the second or third. In therapy, I fell apart piecing together the fragments of  grief and trauma from years before.


Outside of sessions and back in the world of responsibility, I continued to keep my mask firmly on and hid my ongoing despair whilst in a state of constant hyper vigilance, bracing myself for more shocks and loss. 

Familiar

widow

I had crossed an agonising threshold and changed from wife to widow overnight. Widowhood, in my culture, is seen as inauspicious. It is the equivalent of a social death for the one left behind; who should have also gone, and ideally she should have gone first. Although I do not come from a family that subscribes to these archaic norms, nor do I live in a society where I became a social outcast, I found myself in a dark and isolated place with the combined weight of widowhood and motherhood crushing me. 


Radhika, the Goddess of love, compassion and devotion, she who dances under moonlight with Krishna, did not belong in this dark and isolated place of mine. The Ras Lila, the dance of eternal love between the soul and the divine could not take place here; I did not share the Goddess of Love's faith in divinity. She would pine when it was gone, but she always knew it was coming back to her, and she would dance the Ras Lila for eternity. 


Meanwhile, I was dealing with the reality of mortality, whilst battling internal and external demons. I did not need faith, waiting and pining when it was time for independence, decisions and fighting. I needed inspiration from Goddesses of darkness; destruction, death, chaos, time, thresholds, liminality, power and independence - Hekate, Lilith and Kali. 


Therapy was helpful, but it had opened a can of worms and uncovered deeper pits of darkness that left me feeling unsettled, raw and vulnerable between sessions, as thoughts and feelings swirled in me without any means to express and release them.

I needed something else and found it in dance, art, yoga and non-religious, intuitive rituals engaging with the archetypes of the three dark Goddesses, which helped me embody, express and release the pain and grief that had been stuck in my body for years.


Knowing I had these practices as tools at my disposal whenever I needed to work through the overwhelm, I began to feel a sense of empowerment, and no longer felt like I was breaking or falling.

battle

Serpentine Rising

By chance, I discovered Kundalini yoga; practising the breath of fire, I felt something shift internally. However, at the time, I was unaware of what had begun, but Kundalini energy had arisen, like a serpent, uncoiling slowly inside me. 


Over time, I began to feel more confident, positive and open to new experiences. I was drawn to dance and movement as creative, dynamic, feminine energy, Shakti continued to rise and flow through my body. I instinctively danced every single day, and made playlists reflecting the themes and intensity of my emotional energy. The numbness, suppression and weight of grief and pain carried by my body for years fell off as I danced and danced and danced, shedding what I had outgrown and what kept me small and vulnerable. 


During this dynamic shedding and transformation process, I was no longer who I once was, but was not yet who I was becoming. I engaged with Hekate, guardian of threshold states; the betwixt and between. My artwork and poetry reflected themes of liminality and imagery of a serpent; either moving, or still, shedding her skin, transforming or coiled; always dangerous and fiercely protecting what was vulnerable:


Between life and death

Light and dark

Seen and unseen

Noise and quiet

I am black and red striped

Coiled, ready and watchful

Forked tongue flickering

Defensive to most

Protecting and sorting

Sifting and shifting

Revealing precious things to keep

Jewels and small soft mice


In Jungian psychology, a serpent appearing vividly and repeatedly in dreams and artwork is a symbol of deep healing and transformation. This was a Kundalini awakening triggered by trauma and accelerated by yoga and the breath of fire. However, at the time, I was sceptical and had not not given the concept of Kundalini energy much thought, but over weeks, months, years, I have experienced surges of clarity, heightened intuition, and growth. Something did awaken and I felt it happen at the time. 


Western psychology may term what I experienced as post-traumatic growth, but Hindu and Tantric philosophy know this to be a Kundalini awakening; profound spiritual, physical and mental transformation that takes place when coiled feminine energy, Shakti, is awakened. This metamorphosis can occur either through deliberate practices, or can be triggered by severe trauma and shock to the nervous system. I had experienced both.


After many dark nights of the soul, I finally felt mentally, physically and emotionally stronger, and no longer powerless, frightened and vulnerable. This internal shift led me to let go of everything and everyone that did not align with my ethics, values, standards or conscience. As a 1977 fire snake with awakened Kundalini energy, I did not just shed, I destroyed and burned; layer after layer of identities and roles that no longer fit me and never would again. 

Fire Snake

student

I delved more deeply into mythology and archetypes, but this time through an academic lens, whilst working on a research project in the early stages of a four-year professional doctorate in counselling psychology and psychotherapy.


My stance as a researcher and practitioner is feminist and decolonial; moving away from traditional white western, patriarchal psychotherapeutic approaches and going back to what was practised in cultures all over the world before colonialism; stories, movement, music and art created and experienced in groups of women fostering healing, connection, sharing, growth and community support.


My doctoral research focused on developing a series of six workshops for women with experiences of intimate partner violence; a culture-focused, creative arts-based, narrative group therapy, with the inclusion of decolonial embodied practices such as yoga and breathwork. 


The workshops included the exploration of cultural, feminist Goddess myths and archetypes. Themes in mythology mirror many of the lived experiences of women today:


war

misogyny

injustice

violence

abuse

abduction

oppression

depression

rage

fear

destruction

loss

death

grief

wisdom

responsibility

desire

envy

sacrifice

abundance

power

control

sovereignty


I feel strongly that culture, mythology, embodiment practices, creativity, and group work are not encouraged enough in counselling psychology and psychotherapy for women. There is a place for talk therapy, but it is not enough. Culture, society, community and relationships impact a woman's sense of Self and also the functioning of her nervous system; ruled by anxiety and often dysregulated and in need of co-regulation, support and understanding. 


In the aftermath of the trauma of intimate partner violence, creativity and embodiment can act as powerful mediums supporting the recovery of a woman's psyche and her nervous system without the need for words. Exploration of mythological themes can help identify a woman's personal myths, beliefs, values and emotional needs; clarifying self-concept and encouraging the idea of a post-trauma future with a new personal myth as the survivor, not the victim. Group work is important for trauma survivors to feel witnessed, accepted and supported.


I was passionate about my research and could not wait to qualify to offer this work to women and also for it to have a seal of approval from the field of counselling psychology and psychotherapy so that it could be offered more widely.

Lilith

moral injury

I was delighted to be on this doctoral programme and engrossed in research that I loved. 


Unfortunately, during a lecture on working with race and diversity, I witnessed racial harm and psychological distress caused to several trainees when two white lecturers were unable to safely facilitate discussion due to their lack of knowledge on the very topic they were supposed to be teaching us. 


The statement "I don't see colour" was repeated several times. When I questioned the lecturer's repeated colour blind ideology, I was met with dismissal and silence instead of the reflexivity and repair we are taught to practise. The lecture and discussion was extremely poorly facilitated; raised voices and racial tensions were running high with almost 90 trainees in a very unsafe teaching environment; on a counselling psychology and psychotherapy doctoral programme, no less. 


After leaving the lecture in shock and disappointment, I expressed my concerns about attending future lectures and discussions facilitated in this manner to the institute. I was invited to attend an "informal meeting" with the newly appointed head of the doctorate programme, whose research topic of interest, ironically, is moral injury.  I was interested to hear his thoughts, considering I had sustained a moral injury from experiencing the betrayal of witnessing two academics' poor standards of teaching, lack of academic knowledge, use of outdated and harmful colourblind ideology and complete loss of control over a lecture that resulted in oppressive behaviour from white trainees towards black and brown trainees, including myself. 


However, this expert on moral injury did not acknowledge any harm caused to several trainees including myself, nor did he take any institutional accountability for the moral injury I had sustained, but instead he proceeded to make several highly unprofessional and inappropriate remarks. I can only imagine this was a pathetic and unsuccessful attempt to intimidate and silence me into accepting substandard, unethical and incorrect training on a counselling psychology and psychotherapy doctoral programme. Listening to me raising serious and valid concerns, in response, this man felt the need to remind me that I was still a trainee, not a "professional" like he was. He was right, I was nothing like him and never will be, thank goodness. What a horrifying thought; to spend four years of training as a mental health professional and expert on moral injury, only to end up morally bankrupt. 


I am not intimidated by people who are emotionally weaker than me, and this person clearly was. Those who feel the need to throw their weight around instead of taking accountability are bullies; I learned very young that bullies do what they do because they are frightened and insecure. This person accepted a tokenistic position of power in order to boost his fragile ego and was now serving his master like a good little boy; visibly stressed now that the penny had dropped that he was the right coloured sitting duck facing backlash from all sides. A desperate attempt of an institute hiding its immoral agenda behind the colour provided by people like this as well as its deliberate attempt to recruit diverse cohorts; leaving them to suffer; powerless under oppression and whitewashing. A toxic breeding ground that will continue to operate unscathed and unchecked as long as black, brown and white people stay silent and accept the unacceptable.


I had to walk away; not in defeat, but in in disgust. 


I understand that academics need jobs and that trainees need training. It is difficult to leave when you have career aspirations and financial responsibilities. I had these too, of course. Meeting with the token exacerbated my moral injury by destroying any remaining trust I had left in this institute. Supposedly qualified mental health professionals registered with the BPS and HCPC were lacking the basic professional and academic standards and ethics required of them. The thought of such wide scale harm caused to vulnerable clients and trainees sickened me. Not to mention the waste of time and money being taught by people like this. There was nothing for me to learn from them. I was there to do my research, but I did not want or need their input. 


The shock of moral injury caused my nervous system to collapse into burnout. In this exhausted state, I grieved the loss of the research project I had invested time, effort, finances, and also my heart and soul into work that was the essence of my own healing process I was gladly offering for evaluation by experts in psychotherapy and psychology because of the respect and trust I had. Nothing about this institute made sense to me; I had been offered a place on their doctoral programme to conduct four years of research focused on decolonising psychotherapy!  I felt confused and saddened withdrawing under such incomprehensible circumstances. 


I launched a formal and ongoing complaint against the institute. I will see to it that the relevant governing bodies investigate this institute in due course. Counselling psychology and psychotherapy is serious work that has the ability to change lives. It is work that I took seriously as a trainee on a supposedly rigorous dual doctorate programme at a prestigious training institute. 


Five senior academics are currently engaged in a class action against this institute citing numerous serious allegations relating to racist and oppressive treatment of staff and trainees. 

I applaud their bravery and fully support their fight for justice. 

Good boy

death of the ego

I decided that I would start my doctoral journey from scratch at another institute, but only after recovering from burnout.


I applied for another doctorate starting the following year. In the meantime, my priority had to be self care. I was supported by my therapist who shared my moral outrage at what had happened and provided the empathy and containment I needed in the aftermath. 


I found myself lost in a liminal state; without an academic container for my research; feeling disillusioned by the field of psychology and psychotherapy and unsure how to gather the resources and energy I needed to start another doctorate.


I engaged creatively with Kali for guidance and strength, but was caught off-guard by what emerged, with force; in words that flew through me in one stream of consciousness:


Get over your ego. 

You don't need a title. 

Get over your fear.

Let go of perfection.

All this is ego. 

You're wasting your time. 

I keep watching you do this. 

I'm losing my patience! 

Seeking approval for work that is sacred?

Ancient?

And proven?

Don't be ridiculous!

You don't need approval.

You don't need permission!

The work you have done has existed for eons!

All that I've asked is for you to now share it. 

Share what you've lived, you have learned and experienced. 

Share it with others. 

It isn't a secret.

Shakti is energy. 

Power and source. 

She's what you are born from. 

There is no shame in the source of creation. 

Be proud and be loud!

You're no longer a student. 

You are a creator!

I see that.

You know that. 

So go and create! 

Create something new!

Systems and structures will only constrict you. 

You cannot be held in places like this. 

You cannot be held with this fire inside.

Something will burn. 

And that something is you. 

It's already happened. 

It's best that you stop now. 

Your life is too precious. 

You have things to do. 

Trust in yourself!

You were made for this purpose!

Of course you can do this!

You already do this!

For years you have done this!

Since you were a girl!

With dance and with music, with art and with poetry, with myth and with story. 

The world was confusing and shocking and jarring. 

Swirling. 

Chaotic.

You had to withdraw. 

Delve deeper and deeper, into your psyche. 

Hiding from monsters, and then you met me. 

Your art was not pretty. 

It was raw.

It was ugly. 

Asked questions, got answers.

Now what more do you want?

You want your hand held?

A pat on the back?

Stop being a child!

Wasting your time.

Time waits for no one!

You know this is true. 

Listen carefully to me!

You do not need yet another degree! 

I'm losing my patience!

I told you what's needed!

You don't need a title!

You must work with women!

Women like you were!

Who haven't met Shakti and don't know her power.

Your energy, your life force, your wisdom and purpose. 

Your power, vitality. 

And now you have clarity.

You found her, I helped you. 

I am her, you are too.  

You met her.

You have her.

She is you. 

You are her. 

You have her, so use her. 

You cannot ignore her.

That's how you'll lose her. 

i'm the living proof

Rage

Kali's lesson was loud, harsh and clear. Known for her precision in destroying the ego, in one fell swoop, she destroyed my dream and told me it was fear and perfectionism; driven by ego. 

In my state of burnout, this was not the message I wanted to hear. I had wanted to achieve this goal for decades; long before my husband's death. It was not ego! Was it?


When my children were small, I chose to be a stay at home parent. As they grew, I tried to catch up and worked to build a career; working, parenting and commuting to university for two years to complete a psychology conversion MSc, in the hope that one day, I would achieve my goal of the doctorate needed to practise as psychologist. I completed my MSc at UCL one month before my husband's sudden death. My life had no choice but to stop in its tracks; the priority was simply survival to support my children. 


I had done this, and now that they were young adults, it was finally time to achieve my goal of a doctorate. This was a huge financial and time commitment for me, but I felt ready and able to commit; having achieved a master's, undergone years of personal therapy, then three years of rigorous postgraduate training at the University of Cambridge in integrative psychotherapeutic counselling. I finally felt ready to pursue a professional doctorate in counselling psychology and psychotherapy, which would take four to five years to complete.


 My supervisor at the time asked me why I didn't just work with women now and why I felt the need to to achieve a doctorate.  I replied that I wanted to achieve the highest qualification one can achieve in psychology and psychotherapy so that my research and work was tried, tested and stood on these credentials before I could work with women. I wanted to offer the depth and integrity of doctoral research alongside creativity and embodied practices, and I wanted to offer trauma-informed therapeutic care as a mental health professional. 


But after experiencing what I did during my doctoral training, I knew that achieving these credentials did not prove knowledge, depth, integrity, ethics or professional standards. There was no point in me wasting any more time. I had to move on and get on with my work. 


It wasn't that simple though. I felt enraged and bitter. I had to be the one to give up my dream and my research, meanwhile qualified psychologists and psychotherapists causing harm were free to continue? Kali's words rang in my ears: "you do not need yet another degree! Something will burn and that something is you." 


She was right. I did not need a piece of paper to prove the value of my work. Seeking validation and approval by achieving the highest qualification that exists was actually fear and ego driven; the archetypal "good girl" trying to prove my worth by having someone or something confirm it for me; a trauma response I thought I had let go of years ago. However, growth and transformation is not a linear process; it is cyclical. Important life lessons repeat time after time until the lesson is finally learned. 


Meanwhile, I was still burning. Rage, pain and bitterness were burning inside me; fuelling my burnout from the moral injury I sustained, and prolonging my withdrawn state; vulnerable from neurodivergence and complex trauma with a history of depression and descent into darkness. 


I had to make use of all the tools I had at my disposal to channel this burning energy before it consumed me. Shakti is not passive, she is active, creative, fire and power; an energetic force to create something new. 


I channelled the potency of my rage to create something far better than what I would have been able to under the constraints of counselling psychology and psychotherapy training at an institution:


SNAKESHED


i'm seeing red i'm seeing blood i'm seeing visions

Blood

SnakeShed was born as the result of alchemy; turning rage, moral injury, existential crisis, grief and pain into the creation of my own work; based on years of research, practice and lived experience.


Through rage and pain came wisdom, destruction and creation.


SnakeShed was born. 


Om Shri Ganeshaya Namaha


In this image, I am holding the Ganesh bell I will ring to begin each SnakeShed journey. In Hindu scriptures, Ganesh is the remover of obstacles, and is the patron of new beginnings, especially in the arts and sciences; his elephant head is symbolic of wisdom and intellect. 


Although I am not religious, I was raised a Hindu, and also studied Hinduism formally. Some mantras, including the Ganesh mantra, are forever ingrained in my psyche, and some form part of my intuitive practices. In my experience, symbolic, personally meaningful ritual, regardless of religious or spiritual faith, can be a powerful tool for grounding, especially when accompanied by sound. When I saw this antique Ganesh bell, I knew it had to play a part in SnakeShed rituals. 


In this photo, I am wearing a gold bangle given to me by my mother, who is also a widow. I was 29 when my father died suddenly, and my mother crossed the sudden and painful threshold of wife to widowhood overnight, like I did.


With her transition into widowhood, my mother no longer painted her forehead with the red bindi I had seen on her face every single day of my life. She discarded her gold earrings, bangles and her Mangalsutra; a black and gold necklace worn by married women as a symbol of love, commitment, and divine protection.


In burnout, after withdrawing from my doctorate, I retreated to India, to spend time with my mother at her ancestral home in Mansa, Gujarat. 


In 1937, my mother was born here, as a princess, part of the royal Chavda dynasty, which had ruled Gujarat for centuries. During colonial rule of India, the princely state of Mansa remained under her family's rulership until the independence of India in 1947. 


In reality, during the first ten years of my mother's life as a princess, her family, like all Indians, experienced humiliation and trauma caused by the British. The rulers of this princely state were slowly and systematically stripped of their dignity without the resources required to rule effectively. All they had left were their homes, their name and titles. 


A name and title which still carries respect for the rulers that are now long gone. It is odd for me to experience this when I am back in Mansa and addressed and treated as a princess. 

My mother, after years abroad as a student and whilst married to my diplomat father, is now back in her ancestral home; with its domed turret overlooking the town where she was born, where she is still treated as a royal matriarch. 


Unlike my mother, I am not a royal. The other half of my lineage is starkly different; my father's ancestors were hopeful, trusting and impoverished Tamils who left their motherland to work hard as indentured labourers under cruel and harsh colonial overseers on the paradise island of Mauritius.


Following the abolition of slavery, indentured labourers were not technically slaves owned by masters, because they were paid a small wage. Slaves had never received payment and this was considered progressive. However, despite the official abolition of slavery, the lives of the indentured were still completely controlled; they were not free in any sense and faced severe punishment for "vagrancy" if caught trying to escape; leaving them no choice but to toil day after day to line colonialist pockets. They were slaves; but for the pittance they were paid and the term given to them by their masters to signal the progression of their humanity. 


My parents were both rebels with a cause to better their lives when their two very different worlds collided in communist east Germany in the 60s. They were both scholarship students intent on creating a brighter future through education - something that no one can ever take from you. This principle was instilled in me by both my parents and my grandparents. 


In Mansa, during school holidays, I spent long, hot summers trying to stave off boredom reading dusty old books, and being quizzed by my grandfather, Bapuji, on topics ranging from capital cities to Shakespeare.


Bapuji was an intellectual and had studied at Oxford, but I learned even greater wisdom, and the laws of being a woman, from my beloved and wise grandmother, Ba. Ba did not speak English and I could not speak much Gujarati, but somehow we managed to communicate and we had a close relationship; she supported my creative expression and encouraged me to voice my feelings and opinions. 


Ba would tell me stories, varta, from the Ramayana, or funny tales from her childhood, and also poignant stories about her life of a woman. She taught me what it meant for her to be a woman; a beautiful princess in a world that tells you all women are Goddesses, but in the same breath, will instruct you how to drown your newborn baby girl in milk because a girl has no value. This was Ba's experience as a terrified young woman who bore four daughters but no sons. 


Sociocultural norms in India, that still exist today, tell women to feel deeply ashamed for the sin of delivering a baby girl; a burden to her family and source of endless worry in a cruel world conditioned by the patriarchy. 


Thankfully, my grandfather was an intelligent and progressive man who was proud to have four daughters. He feared for their futures and advised them to go to university and travel. Without this, he worried they would be vulnerable to control or exploitation. He encouraged them to became highly educated - which they all did. 


My ancestors; royals, with and without power; slaves in all but name; women and men; all fought for survival and independence. All carried hope that life would be better someday. Their paths of hope were filled with challenges, obstacles and battles to overcome, which they did, bravely and magnificently. 


My challenges, obstacles and battles to get to this stage in life are minuscule compared to what they endured. However, some themes have remained the same. I am fortunate to have carried with me their hope, resilience and fighting spirit; despite crushing fear and grief when battling systems of oppression. 


From interpersonal relationships to systems that caused harm, I take what can never be taken from me - my education and lessons I have learned regarding how fear and power operate on individual and systemic levels, and how to respond to these accordingly; empowered; standing my ground; using my discernment; always guided by my personal values, morals and standards. 


I feel excited, deeply privileged and honoured to be able to offer SnakeShed to women on the journey of growth, shedding and transformation. 


Let the journey begin.


I am ready. 


Om Shri Ganeshaya Namaha

Thank you

Mirror of Myth

In Hindu scriptures, Radhika, Goddess of Love, is a Gopi, a cowherdess; described as having perfect features, radiant complexion, golden body, delicate walk; anything she cooks tastes divine, and she is the ultimate, sensual lover. 

Like many women, I have been objectified, idealised, stalked, harassed and abused; this description enraged me. 

She sounded like a one dimensional fantasy dreamt by a man - any man at any point in time. 

For years, I dismissed her as an uninteresting patriarchal stereotype. 


She did not fit the archetypes of Goddesses that I was drawn to; Goddesses who were exciting and fierce; with lions, tigers, dogs, crows and snakes as their steadfast protectors; multiple arms holding sharp weapons to annihilate demons; all were strong, opinionated, unafraid of the underworld; they said no and they fought against oppression and misogyny. They were fearless and driven to action in the face of chaos and destruction. 


And then there was Radhika the Goddess; herding her docile cows with her delicate walk before heading home to cook something delicious, and reunite with her lover; or she might feel crushed that he is gone, then she would pine; he would return; the cycle would continue ad infinitum. 


I have been studying traditional Tantra philosophy, which has been described as the Cult of the Feminine, because it challenges the mainstream Hindu patriarchal perspective by positioning Shakti, feminine power and energy, as supreme. The ten Tantric Goddesses - Das Mahvidyas, bestow wisdom and are multifaceted, with stories and lessons for every aspect of human life; there is even a Goddess of widows - Dhumavati, but I was not aware of her, or the other nine Mahavidyas.


Colonial officials viewed Tantric practices with suspicion and labelled them as backward, primitive, and sexually depraved, leading to the destruction of sacred texts and persecution of its practitioners. To this day, in India, Tantra is dismissed as a practice for "lower castes" and deviants. It is seen as taboo, due to its intentional and ritualistic transgression of social patriarchal norms. In Tantra, a woman's physical body is seen as important for spiritual growth and enlightenment; enabling her to transform sexual desire into spiritual energy. It encourages women to embrace their Shakti, which is seen as untameable, and never compliant. 


There are no submissive Goddesses in Tantra. 

In the Radha Tantra, the Goddess Radhika is described as independent, nonconformist, confident and assertive. She is Krishna's spiritual teacher, older and wiser than him. She teaches him the Tantric rites, as his teacher and his lover, not his wife; defying social and moral conventions of marital status and age differences in heteronormative relationships. She is the one who leaves Krishna, and returns to her heavenly abode after fulfilling her duty and desire.  All she wants is to be in a state of bliss as Hladini Shakti, the highest form of pleasure; choosing to give pleasure, and also receive, as depicted in the painting above. 


I am Goddess Radhika's namesake, but I have never related to her more than when I read this Tantric description of her. Now older and wiser, nonconformist, assertive, independent; coincidentally, I am studying Tantra philosophy and training as a Tantra yoga teacher. But in our youth, both Goddess and mortal Radhikas were lover girls; stereotyped, idealised and misunderstood by mortals. I unfairly judged us both for being ill-equipped to survive in a dark world where there was no love. But I was mistaken - wherever she is, there is love. She is eternal, supreme love; as the Goddess of love, she is love. Love of Self and love of others, both are necessary protective qualities to help one emerge from darkness.  


But self-love comes from self-worth; leading to the development of autonomy and discernment. For me, self-love and self-worth took time to develop, and to me, these qualities in Goddess Radhika are more clearly highlighted in the subversive Radha Tantra, when she herself is older and wiser. Perhaps both Goddess and mortal women must go through their trials and tribulations to mature into this stage of self-love and autonomy. 


It is unfortunate that the Radha Tantra is such an obscure text, and that Tantra itself is misrepresented and positioned by the patriarchy as a deviant practice. This empowered Tantric version of the Goddess of love is not known by her many Hindu devotees who worship her as the dancing, pining Gopi,


I am proud to see the evolution of autonomy in Goddess Radhika's story, and also in mine; we both aged, gained wisdom and independence; know what we want; will assert our wishes with confidence and clarity to achieve our desires; will leave of our own volition; after having taught a lesson or two to those requiring education.  


Radhika the Tantrika has a nice ring to it. Her myth mirrors my life once more, and I am glad to have her back. 

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